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Bartók forever

D. Scarlatti - Sonata D Major K. 345

Bartók forever

5:57	Est. Play Time
120	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo		21	9	5	3	100%
		26	18	6	3	96%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo		21	9	5	3	100%
		26	18	6	3	96%

Simple "westward" modulating progressions based on the Cycle/Circle of 5ths

Bartók forever

1:20	Est. Play Time
33	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		30	35	19	6	98%
		31	0	16	6	100%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		30	35	19	6	98%
		31	0	16	6	100%

A Hornepype (shortened)

Bartók forever

3:19	Est. Play Time
76	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Virginal		22	3	3	9	100%
		13	11	0	7	93%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Virginal		22	3	3	9	100%
		13	11	0	7	93%

Mariä Wiegenlied Op. 76 No. 52

Bartók forever

1:38	Est. Play Time
43	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		30	47	11	6	100%
		23	5	4	4	100%
Voice		12	0	4	6	81%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		30	47	11	6	100%
		23	5	4	4	100%
Voice		12	0	4	6	81%

Allons enfants...

Bartók forever

0:56	Est. Play Time
29	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Orgel		14	0	2	6	72%
		14	0	2	6	72%
View all 6 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Orgel		14	0	2	6	72%
		14	0	2	6	72%
		11	0	2	8	100%
		11	0	2	8	100%
Pipe Organ		18	0	6	9	93%
Panflöte		17	37	5	10	90%

Variations

Bartók forever

2:05	Est. Play Time
69	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		31	11	9	4	90%
		34	27	11	4	84%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		31	11	9	4	90%
		34	27	11	4	84%

Johann Georg Albrechtsberger (1736-1809): Kurze Regeln des reinsten Satzes

Bartók forever

5:27	Est. Play Time
159	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Sopran (C-Schlüssel)		15	0	5	5	97%
Tenor (C-Schlüssel)		17	0	5	5	97%
View all 6 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Sopran (C-Schlüssel)		15	0	5	5	97%
Tenor (C-Schlüssel)		17	0	5	5	97%
Alt (C-Schlüssel)		14	0	3	5	97%
Bass		14	3	4	5	76%
Klavier		10	8	3	1	5%
		5	2	0	1	4%

Sonata Eb Major K. 306

Bartók forever

5:55	Est. Play Time
110	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo		23	0	9	7	98%
		32	13	11	4	100%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo		23	0	9	7	98%
		32	13	11	4	100%

Praeludium und Fuge über den Namen B A C H BWV 898

Bartók forever

4:18	Est. Play Time
106	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		28	21	11	8	97%
		30	7	12	10	89%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		28	21	11	8	97%
		30	7	12	10	89%

Warum betrübst du dich (Aria) BWV 516

Bartók forever

1:16	Est. Play Time
18	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Pipe Organ		20	16	5	6	100%
		14	0	2	5	100%
Stimme		13	0	4	6	100%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Pipe Organ		20	16	5	6	100%
		14	0	2	5	100%
Stimme		13	0	4	6	100%

Rezitativ und Arie from BWV 82

Bartók forever

6:44	Est. Play Time
99	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo		19	32	5	6	16%
		25	43	9	6	100%
View all 4 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo		19	32	5	6	16%
		25	43	9	6	100%
		24	0	9	6	98%
Sopran		18	0	7	8	96%

Pavane. The Earle of Salisbury

Bartók forever

1:45	Est. Play Time
17	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Virginal		14	3	3	8	97%
		14	2	3	17	97%
View all 4 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Virginal		14	3	3	8	97%
		14	2	3	17	97%
		18	7	2	6	89%
		18	7	2	7	89%

What power art thou? (Purcell, King Arthur Act III aka "Cold Scene")

Bartók forever

2:32	Est. Play Time
36	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo		29	98	10	2	100%
		15	0	5	2	100%
View all 7 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo		29	98	10	2	100%
		15	0	5	2	100%
Violine I/II		19	0	7	2	100%
		18	0	6	2	100%
Basso Continuo		15	0	5	2	100%
Bratsche		19	0	6	2	100%
Bass		16	0	6	4	69%

Praeludium

Bartók forever

0:53	Est. Play Time
9	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo		14	9	4	6	100%
		19	8	5	7	100%
Execution		19	19	2	6	67%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo		14	9	4	6	100%
		19	8	5	7	100%
Execution		19	19	2	6	67%

Philipp's Progressions

Bartók forever

1:22	Est. Play Time
28	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Streichinstrumente		21	38	10	4	100%
		9	0	3	2	36%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Streichinstrumente		21	38	10	4	100%
		9	0	3	2	36%

Passametzo

Bartók forever

3:06	Est. Play Time
31	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo		14	12	4	6	100%
		16	0	2	5	100%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo		14	12	4	6	100%
		16	0	2	5	100%

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